I started teaching classes for my local branch of Christian Youth Theater in 2021. I never saw myself as a natural with teenagers (in high school, I always preferred to be with the children or sit with the adults), but I found myself really loving my time with the teens. In each young artist, I saw glimpses of my younger self: unsure and awkward, but eager to walk through open doors, if someone would just believe in me.
So I found ways to give bits of life advice in the midst of teaching singing technique and harmonies. I wanted these teens to know what I wish I had known at their age–what I wish someone had told me as I was learning to write, draw, paint, sing, and play the piano.
And that's what this post is about. I've written about creativity in one book, and about teenagers in another, and now I'll combine both loves and share with all young artists out there bits of advice that, I hope, will help them in their journey. I've also asked my artist friends to contribute (including my personal artistic heroes Ben Hatke and Sara Groves!!!), so scroll down to read their words of advice!
1) It's okay to copy...
I learned to draw and paint horses from copying drawings and paintings of horses. Studying someone else's work taught me to see the shapes, shadows, and colors that would be difficult for me to see on a live, moving horse (besides that I was living in Queens, New York, at the time, where there were no horses.) Once I understood how a horse was structured, I was able to try drawing horses on my own. Even so, professional artists work with models and reference photos all the time. It is not a requirement that you can draw everything from your head to be a good artist. Dancers, actors, musicians, writers... start by studying and copying the artists you admire. Now read on...
2) ... but find your own style.
When I hear young singers, oftentimes they want to sound just like the recording of their favorite singer. But the goal is to be a good singer, not a good mimic! As an artist, there is a point where you have to leave the safety net of copying and come up with your own creative ideas. Take the dance moves you learned and choreograph your own dance. If you like Billy Collins's poems, that's great, but mimic his style in your own voice. Don't sing like Ariana Grande; sing like YOU!
3) Try new focuses within your craft.
If you love drawing animals (like me), also work on drawing people or objects (that's what I'm doing now). If you dance ballet, try tap or jazz. If you play classical music, learn to improvise by reading a lead sheet and playing from chord charts. In other words, don't get stuck on one thing. Don't be like "I only do graffiti style art, that's my thing." It may not come as easily as you like (jazz is still difficult for me to play), but by taking chances and stretching your mind, you'll also stretch your skills and be a more well-rounded artist.
4) Don't think in terms of winning or losing.
One of the biggest mistakes young artists make is believing that if they don't get the lead, or the solo, or the first place ribbon, they are a failure. Every attempt is worth taking.
5) It takes time, both long term and short term.
Another mistake young artists often make is waiting around for inspiration to hit. Learn to make your art a daily practice. When I was working on my musical, I did a little every day, no matter what. And it still took me years to finish it! And I was able to write it only after years of studying and practicing piano, music theory, composition, choral music, and writing. When I was a teenager, I would have NEVER imagined that I would be writing a musical in thirty years. I just saw piano playing as either a hobby or a chore. I am thankful now that my parents told me to practice the piano for an hour everyday! As I matured, I gave myself assignments: set this poem to music; harmonize this melody; write a short story using a given prompt. The key is to keep practicing your craft. For example, if you draw, carry a small sketchbook with you and rather than look at your phone while waiting for something, sketch your hand, your shoes, or your surroundings. When I started this blog, I set a goal to write something every week; that's when my writing really took off! And...
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A few months ago I got an idea to dress birds up in clothes.
I didn't know if it would work, but I started sketching.... |
6) Don't worry so much about the final product.
Every project doesn't need to be a big, impressive final product. There are plenty of songs I never finished writing. Many drafts of stories that stayed drafts in my notebook. Pages and pages of sketches that were failed attempts at capturing an idea in my mind. The key is to just start and see where it takes you. Don't be afraid of the blank page. Don't keep your sketchbooks shiny and pristine. Remember that you are on a journey of learning and practicing, and every step you take, whether big or small, is moving you along!
7) MOST IMPORTANTLY: Do NOT compare yourself with others.
This was my biggest downfall. I spent my high school years constantly comparing. "She sings louder and higher than me." "His photos are so much more creative than mine." Now I know that there are certain things that a person can change about him/herself through learning, and there are certain things that a person cannot change. For singers, your physical structure dictates somewhat how high or low or loud you can sing. Some people are naturally loud. I, on the other hand, am naturally quiet. With training, I've exercised my voice to be louder and stronger, but I can only reach a certain level of loudness before I start hurting myself. And I will never be able to sing the high notes my daughter can sing–she's a natural soprano, and I am not. Again, I've trained my voice to reach some of the higher notes, but I physically cannot even squeak out a high C. So why waste my time lamenting over what I cannot do?! Other things that I can't do well (or at all): dance, play sports, play the violin, whistle, juggle. And that's okay. Nowadays, we hear this message: You can be anything you want to be. The truth is, I will never be a Major League baseball player or a ballerina, no matter how hard I work at it. But I can focus on what I'm good at, develop the talents God has given me, and become the best writer/artist/musician I can be. And be grateful everyday that I get to do what I love!
(AND WHATEVER YOU DO, STAY OFF OF SOCIAL MEDIA! DON'T WATCH VIDEOS OF THE FIVE-YEAR-OLD PRODIGY OR TWELVE-YEAR-OLD CELEBRITY AND COMPARE YOURSELF TO THEM!! DON'T DO IT!!!)
And now, some excellent advice from other artists...
What you are going to experience is more fun and beautiful than you can ever imagine, you will do things and see things that are inspiring in every way, most of which are once in a lifetime and few people will ever experience. It will also be one of the hardest things you've ever done, there will be moments where you question your own sanity, where nothing makes sense and it feels like everything is falling apart. You will have to hold on, and believe in what you're doing even when there is no logical explanation or evidence that you aren't a crazy person. In the end you need to make sure you enjoy every moment, don't get so caught up in what others are doing and what you don't have, and allow yourself to drink in the experiences that you've been given.
Joanna Crawshaw Miller
Painter/Visual Artist
joannacrawshaw.com
Never stop learning.
Don't be afraid to try something new.
Surround yourself with other creatives, including older creatives.
Go see shows, plays, concert, etc.
Keep your eyes open; inspiration comes from everywhere.
Camden Daly
Pianist/Accompanist/Conductor/Composer
Stay patient. You are going to learn so many things... things will come your way.
Don't be so afraid of looking different or slowing 'everyone' down that you ignore the desires you have to play with paint and pencil.
You'll almost never feel "ready" or that things are "finished". Frame them/finish them anyway, and learn what you can to keep going.
Spend as much time as you can playing and learning from your materials and techniques and methods. You'll never regret the time you spent learning to draw or paint something new, or learning a new medium. It's all building blocks you can use later.
You can do a lot more with 15 minutes a day, most of the time, than you can with 4 hour blocks once a week. Don't let "I only have a bit of time–it's not worth it" stop you.
Sara Groves
Singer/Songwriter/Recording Artist
saragroves.com
Don't edit yourself. You can't play the role of producer and songwriter in your head at the same time. There has to be a point in the process where you let it ALL out, unedited. You might edit later on, but you have to be in no-idea-is-a-bad-idea mode when you are creating.
Don't teach; bear witness. The songs that move me are just bearing witness to what is true about life. Even in a song that is written for advocacy–if I feel like my story telling is devolving into finger wagging, or a sales pitch, I back and rework.
Songwriting is not prose. It doesn't have to be linear or make sense in story-form. Sometimes a collection of words evoke emotion and create a setting better than any word-for-word description.
"God is the ocean and we keep writing about a cup of water." Producer Charlie Peacock told me this years ago, and it has stayed with me. The subjects for songs are everywhere, inexhaustible.
Ben Hatke
Author/Artist/Illustrator/Fire Eater
benhatke.com
Making art consists of two skills–the skill of *making* and the skill of *sharing*. How you combine those two skills is up to you. For instance you could use the Emily Dickinson Method, where you write poetry every day, very well, and put it all in drawers to be discovered after your death. You could also work like a performance artist, making art live and up close before your audience with every bit of your process on display.
When I was in college I enjoyed making a series of stores I called "Bathroom Comics." These were sheets of paper I would tack up to the wall in our dormitory bathroom and I would add a little bit to the story every time I was in there. My roommates loved it (I enjoyed hearing them laugh when they were using the facilities).
Both making and sharing have their challenges and can be scary. You have to make a habit of both (even if you are using the Emily Dickinson Method you have to form the habit of always putting the poem in the drawer).
I think you have to practice *every day*. As the painter Apelles (4th century BC) said: "never a day without a line." So keep those sketchbooks! Scribble those half-formed ideas. Learn every day and don't worry if your drawings are "perfect."
Genoa McDowell Sperske
Dancer/Choreographer/Director
Trust that you - as you are, as God made you - are enough. There will be people tearing you down as you learn your craft. Always take the opportunity to learn, but don’t let critiques lead you to change your spirit. You have something to offer the world. Find teachers who see that and guide you to develop the great things about you. Find the right balance between being strong in who you are and being teachable and open to self-development.
Find the space that is right for you. If you feel like your artistic community isn’t aligning with your personal convictions or isn’t emotionally healthy, find a new one. Or move into a different aspect of your art that supports you mentally, emotionally, spiritually. For example, if the competitive nature of auditioning as a performer feels like it’s weighing on you emotionally, try teaching for a little while. Take care of your soul to become a better artist.
Remember that your worth doesn’t come from your art - what you produce, what role you land, etc. God gave you a special gift, but He would love you just the same without it. Your worth is in the fact that God made you and loves you. Try not to find your identity in your art.
Humility and empathy go a long way in the arts. People and relationships are more important than the art you produce. Making art together is one of the most amazing feelings and you can’t have a positive experience making art with others without humility and empathy.
Bottom line - Stay true to yourself, be teachable, don’t find your worth and identity in your art, stay humble.
Martha McDowell
Actor/Singer/Musician
Commit the gifts God has given them to Him and make Him an audience of One in both your preparations and performances. Work at your gift striving to please Him primarily. He will comfort you when you are disappointed in some aspect of your art whether it's not getting a role or making a mistake in a music recital. Because God has a plan for every aspect of your life you can trust Him to develop whatever area of art He has blessed you with. If you glorify God in your attitude and effort He will bless you. I know this from direct experience.
Alyssa Penman
Paper and Fiber Artist
It is enough to create what I do because it brings me joy. Comparison is the thief of joy and it is so true when you are one among so many talented artists. Also, it isn't foolish or crazy to want to make a living from creative pursuits. Maybe if I had pushed on when I was younger it would be easier to find my niche.
Heather Warren
Dancer/Choreographer/Actor/Singer
Trust your instincts and don't be afraid to try something new! Personally, my biggest regret in life was passing up a job with East Bay Parks as a Naturalist-in-training for what now seems like silly reasons. I'm trusting that God is using my decisions to place me exactly where I should be, but there were times I was afraid to jump into the new and unknown. Don't be afraid to try and fail!
